๐Ÿ†๐Ÿ†๐Ÿ† WE HAVE A WINNER BABY!!!! ๐Ÿ†๐Ÿ†๐Ÿ†

Congrats Paul for being the best guest of the YOUNG ART NIGHT! You deserve it! It was a great competition, everybody judged everybody... And next to that, we saw some flirts going on, we traded stickers with chewing gum and it got awkward regularly and we love that.

Thank you Young Art Crowd and Van Abbemuseum for this opportunity and thank ya'll for joining!!!

(Pictures by Gijs Velsink)

More details about the evening!

All the visitors got a badge with a number at the entrance! They were explained it was for the BEST GUEST CHALLENGE and that they could nominate another visitor by putting a green sticker on their clothing. The winner would go home with this crazy trophy! During the whole evening we saw people judging eachother. And when the badges were all handed out, we went on to sabotage the game, by giving more stickers to people.

At midnight the award ceremony took place. During this talk we let the other visitors give their vote to one of the four last nominees. The EXTRA SPECIAL GUEST JUDGES counted the stickers (allthough we don't know how honest this went) and Paul turned out the be the best guest of the evening!

During the Playful Arts Meetup #3 at Theaterfestival Boulevard we did a try-out of the BEST GUEST CHALLENGE.

With a small group of visitors we experimented with the concept and they gave us some feedback. Finally, Duende (5,5 years old) won the challenge!

Congratulations girl!

(Pictures by Tessa Peters)



In February 2016 we screened a pageloader in a bridge house at a crossing near the canal in Den Bosch. When the Zuid Willemsvaart was still in professional use, the bridge stood open regularly and forced people to wait a moment. Now the bridge is always closed and the traffic wants to cross as quick as possible. Not always possible due to the traffic lights, but still, it doesn't force waiting in the same way a missing piece of street does... We collaborated with group the Running Junkies to recreate this situation once again, in the form of a live page loader.

(Video by Veerdonk Visuals)

๐Ÿ’Ž An article by one of the runners, Mari Durieux (Dutch)

The same intersection was used for a series of weekly interventions. Since this place is meant to cross the street in the most convenient way as possible, we wanted to challenge this way of crossing. We dared pedestrians to do this in an alternative way. As you can see on the pictures, we people could battle the time to be the quickest, but also the slowest. The record during this project is on the name of DJ NO CASH with a time of 16 minutes and 02.38 seconds!

(Pictures by Peer Reede)

Dancing in Tate Britain as part of the Parallel Show #4


As a reaction to the rigid structure of the building, the subdued watching habits of the public and the tendency to expand my empire I decided to dance! We talked about the possibility to dance on the present sound, but in that way it rather seemed a performance than an intervention. For me the most interesting aspect was to create a parallel way of looking to the artworks.

I listened to music of the following artists: Andrew Bird, Madonna, The Gossip and LMFAO.

By wearing earplugs, I isolated myself from others and created a different space. I noticed this especially in the connection to the paintings. The figures were stripped from their importance, no kings, queens, counts and godesses no more. They became people to flirt with, to give comments on their (lack of) clothing, and to small talk with. Theyโ€™d probably liked this different approach, at least I did.

The more contemporary pieces on the other hand gave me more space to dance. Their abstract features made it less narrative, so I started dancing exuberantly. PARTY!

Also the presence or lack of people had their share in my way of dancing. I noticed some people laughing at me or even filming my dancemoves. It felt a bit uncomfortable, but I decided to neglect them. It felt good nรณt to be unnoticed, but I decided that this shouldnโ€™t influence my concentration. At one point, two young people started to kiss, at that moment I really felt the presence of a parallel party.

So I danced and danced and danced and danced.


๐Ÿ’Ž Link to the movie

๐Ÿ’Ž All the reports about the Parallel Show #4

In the context of the Artist Ambassador Convention, we organised in collaboration with Gijs Velsink a skypemeeting in which participants will meet each other, using the free WIFI of shops. Not the coffeebars, but the clothing stores, garden centre and bookshops.

"We are investigating how to use the semi-public spaces of stores without being a consumer. A lot of stores have the possibility to sit down, on couches or chairs, so we are using those to have meetings, eating our lunch and read. But next to that, we are also using the music to dance, the shopkeepers as counselors and the stairs to work out...The internet is not a floating space, but depending on servers and routers and is an important part of the 'mobile autonomy' of the artist."


"I went to the police station but they didn't allow me. And the other option was the tram-station, but no connection. The last options are morrocan coffeebars without wifi. I'm at home again now."

We skyped from places like HEMA and Bever Sport, some one tested out some kitchen supplies and more people joined, or went offline. The free WIFI connections didn't seem that stable all the time...

We announced our collaboration with KOP during the Engaged Art Fair in De Balie, Amsterdam. We promoted the secret artwork and auctioned the first opportunity to sell the secret art work (SEE TIME VIDEO).

๐Ÿ’Ž More pictures here

Scan of the publication of the Unnoticed Art Festival. We made a performance for this edition.

๐Ÿ’Ž Read about the final presentation

We organised a marketingcampain to collect shells with the promise to bring them back to the sea. We hanged posters in public space and created three collectingpoints. One at the graduationshow of AKV St. Joost Den Bosch 2015, one in the local hospital (Jeroen Bosch Ziekenhuis) and one in an exhibition in Willem II Fabriek. During this period we collected 2556 shells!

Ode to our volunteers.

Giving away replica's of the Dutch heritage sign as part of the Parallel Show #4 in London.

(Picture by Frans van Lent)


The official definition of Dutch heritage is: โ€œAll man made objects which are of common interest because of their aesthetics, their scientific significance or their historical value.โ€ Most of the time buildings or townscapes are selected, but this can also mean something else.
The main reason for this intervention was a painting in the show 'Artist & Empire' in Tate Britain, Londen. It showed a scene where queen Elisabeth gave the Holy Bible to a black man. This figure, pictured in a humble pose, received this gift very grateful. I saw a parallel with the Dutch heritage replicas. This innocent sign is always given as a friendly gesture, while itโ€™s actually a process of distribution and appropriation. By doing this in England, it would mean the Dutch empire was expanding.

๐Ÿ’Ž Read the whole story here

๐Ÿ’Ž All the reports about the Parallel Show #4

The Parallel Show #2 was held in Naturalis, Leiden. We did research and could not NOT notice all the children running around. So we devised a lost child. It was a 5-year old girl. โ€˜Malina wears blue jeans and a yellow t-shirt, applicated with a white elephant. She has long brown hairโ€™. We reported the missing girl to the staff of the museum, and by doing that we created an official search for this unknown living creature in the museum. This activity related to the adventurous searches organised to entertain the visiting children.

(Picture by Peter Baren)

๐Ÿ’Ž Read the full report here

The court is a place where everything is fixed in rules and structures. When we were asked to contribute to the exhibition, we did some research in the lobby. We noticed these rigid way of behaving of people, but also noticed the magazines. The only objects which allowed some playfullness, some subjectivity. And on the other hand, we suspected some subjectivity from the security guards, who had to remain professional in their role. So we swapped places. The magazines were put in official 'magazine folders' we made, and we wrote some instructions for the guards who gave some space to have an opinion and to be bored. It was a pitty that these works were removed from the lobby. So an official complaint followed and more correspondence.


For Charlois Speciaal, an art festival in Rotterdam, we we asked by Performance Art Event (PAE) to take 'dogs' as a starting point to create a work for the Zuidplein shopping mall area. But what? We didn't saw that many dogs walking around in the mall. But, there are lots of bags walking aroud... Likewise, these bags provide plenty of exercise and social contact at times. The question is: "How faithful is your bag?" Jane Domaliรง walked around with several bags, offering to exchange them on the spot. That meant negotiation and negotiation...

You can see Jane at work from 02.22 till 03.48! That was so much fun! :)

(Pictures by Hidde van der Lijn and video by Wilbert Eerland)

๐Ÿ’Ž Read about all the performances here

The three year research project Reinventing Happiness in Stedelijk Museum 's-Hertogenbosch came to it's end, and we were asked to gave a 'conclusion'. But okay, how can you overview such a project? We invited visitors to take an examination of becoming a 'gelukker'. In Dutch this is a non-existing word, suggesting someone inbetween who is happier รณr more succesful than others. If the participant succeeded the test, they received a special brooch as a reward.


Our website had a special opening second during the leap second festival! I hope you didn't miss this event, which took place on new year's eve 2016 from 23:59:60 till 00:00:00 on the first of January 2017!

Check out our contribution (our leap second of fame) at 03.46!

If you have some time off to focus on art, but donโ€™t feel like visiting a museum or gallery, visit the Conceptbank. You don't have to look at the work of somebody else, but you can perform some! We really like this concept and Roekoe M and Nanne Muskens made some contributions for this on line database. Check it out youself!


๐Ÿ’Ž Requisites
(a conceptual concept)

(how to use an error!)

๐Ÿ’Ž Letterroulette
(for the Russians under us)

๐Ÿ’Ž Gibberish
(a very appealing concept for daily life)

๐Ÿ’Ž A concept for sighted people only
(which explains all)

After some attempts we finally realised our work 'NPO Radio 1' in a 'white cube'. In the exhibition Reinventing Happiness in Stedelijk Museum 's-Hertogenbosch we did an intervention with real time newsradio (sneaky placed in the corner of an installation by Social Label).

How does your happiness relates to events outside of these museum walls?

๐Ÿ’Ž About Reinventing Happiness (Dutch)

Performing The Democracy Flag (2015), a work of Gijs Velsink, as an intervention during REMOTE 'S-HERTOGENBOSCH by the Rimini Protokoll. When we participated in this project, we encountered a moment where the audio called for revolution. We saw a clear connection with 'The Democracy Flag', and decided to intervene during one of the walks.

This is an impression of the memorial we organised for a chopped down Plantanus Hispanica.

๐Ÿ’Ž Text about the "facts" (Dutch)

๐Ÿ’Ž Personal remembrance of the tree (Dutch)

๐Ÿ’Ž Poem of M. Vasalis (Dutch)

(pictures by Joke Blom)


Meme in collaboration with Iris van Wijk.

We made a 1000 piece puzzle from the poster of the event. The party people could construct this image during the event.

"This plaque is applied in honor of the existence of this place"

During the Willem X Mas selling show, we displayed a selection of found gloves. Each of them costs โ‚ฌ5,00. We sold none of them.

In collaboration with Richard Hu

More craziness coming soon!

๐Ÿ†The staff of the Van Abbemuseum likes our trophy!๐Ÿ†

The BEST GUEST CHALLENGE is turning the world of the critical visitor upside down. Instead of judging the cultural activity they are visiting, the visitor themselves becomes object of critical inspection in a playful way. Who will be the BEST GUEST?


We got a generous gift from Stedelijk Museum 's-Hertogenbosch, but when the time was there, it turned out to be a problem...

We never make sculptures, but what can you do with this amount of tempex? We experimented during a two-week residency in the Drie Mollen. We played with the material, got loads of people thinking along, borrowed tools, but we noticed we created more waste than sculptures... That was the point we decided to make an artwork for the local waste service. We are still in consultation with them, but the first encounter was really positive! Exciting!


Stedelijk Museum 's-Hertogenbosch
Mark Beusen
Stichting STeC
Drie Mollen
Merel Stolker
Myrthe Rootsaert
Laiyan Cheng
Jitske Blom
Randy of the Prisiri Brassband
Nimrod Pieters
Tim Vermeulen
Anton Schrauwen
Lisanne van Brakel
GAMMA 's-Hertogenbosch
The English talking guy
The man with muscles
Academie voor Beeldvorming
Inus Kamstra
Ivo van Dijk
Rwanda (?)
The city archaeologist
Bart van Velzen
Ernst, Bobbie and the rest

And, at last but not least, 'Art Problem solver' Martijn Linssen, who didn't help us, but gave of the insight of the material as a 'problem', so thanks.
(you will receive an official complaint later).


In the context of Platform Projects, we accompanied Unnoticed Art to Athens. We showed three groupshows inside our jackets. Ours included the work 'AXE black' from Jane Domaliรง. Everytime we opened the jacket, we sprayed some AXE black on our armpits.

We still have some good memories of the smell, haha!

๐Ÿ’Ž More about the shows

How do you experience time in a nursing home? After a research of one month, we did a intervention and founded two associations. The Association For People With Time and the Association For People Without Time. During this event people could become a member, take pictures and receive a brooch with their time indication. Both the elderly and the staff could be a member of this associations. This resulted in a more equal relationship between the two groups.

๐Ÿ’Ž Article about our experiences (Dutch)

(Pictures by Superformosa)

How do you promote something which is secret? We collaborated with KOP to answer this question. We decided to buy some bear suits, go to Art Rotterdam and hug everybody who was enthusiastic. During this hug we told people about the secret art work, with the hope to encourage their curiousity.

This artwork was for sale during a period of 88 days. Anybody could buy this and decide what they wanted to pay for it, but it has to remain secret. We had conversations with potential buyers, and in the end sold this work to ten different people. They all signed a confidentiality agreement. We hope this artwork will be for sale again in the future!


๐Ÿ’Ž Article on Omroep Brabant (Dutch)

(Pictures by Eline Baggen)

Wbre shak rmo vreakje mosch vretwu mokiy. Yerr mkeh zzla gropp srev colzttat mrekkeh 't Hijgend Hert Breda. Stq vraaj dts Gibberish.

We made a publication of 170 centimeters about the shell project. It includes the inventory of all the 2557 shells, including their species, characteristics, origin, packaging and contributor. And yes, that took a while...

We brought the collected shells back to the sea on June 2016. We filmed this event, which turned out to be quite a clumsy happening... We have some proof for you in the form of a short movie.


When are you a 'professional' artist? Getting a degree certainly helps, but who is truely responsible for this appreciation? The teachers involved are awesome, but didn't had a substansive connection with our own work. So we didn't took the procedure of graduating as granted and made a new one...


๐Ÿ’Ž Short publication on Mister Motley

A wallpaper, for show in Showroom MAMA, Rotterdam. This could be printed out during the exhibition. Nobody did.


The Academie Voor Beeldvorming asked us do to a residency in the exhibition Reinventing Happiness in Stedelijk Museum 's-Hertogenbosch. We researched the phenomenon of poverty in relation with happiness and couldn't forget the museum, where the financial struggles seem to be absent. The white walls, the art, the whole context is made to display wealth. So as a reaction to this, we wrote an instruction for a conversation between museumvisitor and (fake) attendants about their personal financial situation.

(Pictures by Ben Nienhuis)

๐Ÿ’Ž Article about the paradox between hospitality and rules

๐Ÿ’Ž Interview


The vacancy for a 'representative for everybody and nobody' we developed during our graduation proces.

๐Ÿ’Ž Full text


The title of this song is something like 'fucked up music' which is totally true. Maybe Boozegeoisie, in collaboration with 'De Valse Mannen', MRKS and 'De Vreemdeling' made this horrible song. We want to share it, because it's too drunken to be true. And the song has managed to get a fan, so we don't want to retrain you the possibility to become the second fan!

๐Ÿ’Ž Listen here to the karaoke version ๐Ÿ˜ณ

We hand-cutted confetti and putted those on line for sale for โ‚ฌ1,00 each, excluding shipping costs. We did got some orders, but didn't sold any confetti via Marktplaats.


We were happy that Thomas gave us a giant order of 5 million pieces! Allthough it didn't seemed that serious, we answered with full conviction. Too bad he didn't replied to our latest answer, since we were willing to put up a production line!

But who knows, maybe this work will be continued and realised in the year 2065...

This is a page we made for the publication 'SPREAD THE SECCOND ISSUE' from Platform Platvorm.


A barintervention in the exhibitionspace.


The menu looked like this:

- 1/3 NL
- 1/3 NL2
- 1/3 NL3

Visitors could only order arrangements. Each arrangement had a different price, different glass and different beverage. "Beer" for example, could be ordered under the title A-arrangement, B-arrangement, Mini, Duo, Exclusive and No Profit. The Exclusive arrangement was the most expensive, since they got different kind of beverages, food and the possibility to drink something in the company of an artwork (the exlusive arrangement)!

(pictures by Peter Lambregts)


Garlands for the tree which replaced the felled Plantanus Hispanica (see other work).

A letter from 'the artist' to 'the art'. It is a frankly thinking about the disappointment of the artist towards the art.

"Now you're sitting on a couch, watching television, while everybody's on the internet..." (Dutch only)

Two cleaned electricity boxes.

Together with Monika Murawska we organised the facebookevent 'The christmas tree after christmas'. We saw the trees being dumped on the streets, after a short moment of esthetical en symbolic use. It was an open call for 'quick 'n dirty' artistic interventions with those trees.

๐Ÿ’Ž See all contributions here

Jane Domaliรง gave a contribution to the work of ieke trinks, by giving it a name and to set the value to โ‚ฌ6,25.